; Marcella Ducasses: April 2011

Friday, 29 April 2011

P - Daily Word Dose

Palatable - 1. Acceptable or agreeable to the palate or taste; savory: John thought the food at the buffet was so palatable that he ate until he felt like he was going to explode. 2. Acceptable or agreeable to the mind or feeling: We met with our supervisor to discuss some palatable solutions to the problem.

Pander - 1. A person who furnishes clients for a prostitute; pimp  2. To satisfy the ignoble ambitions, desires, vices, etc of another: The smarter public officials will not pander to the needs of the corrupt mayor, regardless of his powerful influence. 3. A go-between in amorous intrigues.

Paucity - 1. Smallness of quantity; scarcity; scantness; lack. 2. smallness or insufficiency of number; fewness: There was a paucity of intelligent answers to that question. 

Peddling - 1. To travel about with wares for sale; to go from place to place, or from house to house for the purpose of retailing goods, as to peddle without a license. 2. to deal out, distribute or dispense, esp. in small quantities; 3. To see (drugs) illicitly.

Pompous -1. Characterized by an ostentatious display of dignity or importance: He gave us a pompous speech about paying our taxes.  2. Ostentatiously lofty or high flown  3. Characterized by pomp, stately splendor, or magnificence.

Thursday, 28 April 2011

Latest Art Review


Colouring Outside the Lines: Two Artists Challenge Ideals

Published April 28, 2011 in FFWD Magazine
Newzones Gallery - Franco DeFrancesca's "Furniture Music"  and Virginia Mak's "Of One's Own"
These days it seems artists are less inclined to stay within the confines of one medium. Blurring the boundaries between photography and painting, two solo exhibitions currently at Newzones Gallery dispel the notion that an artist must fit neatly into one category.

Franco DeFrancesca would neither categorize himself a painter nor a photographer, preferring the term “multimedia artist.” This label proves apt for DeFrancesca,as his art covers the gamut from sculpture-installation to photography, digital art and sound art. 

“Furniture Music” features glossy, brightly coloured, candy-like digital images. Using a mouse rather than a paint brush, DeFrancesca’s works are created on the computer,then printed onto photographic paper. Somewhere along the way, he has discovered that applying a top coat of liquid resin produces the lustre and depth he seeks when creating these high-tech images.

This, along with the decision to mount them on plywood panels, gives them a painterly object-like quality that he would not get had he simply chosen to frame them. What is more, choosing to print only one of each, rather than producing multiple editions, automatically elevates the prints to a higher status than is typically awarded to photographs.
DeFrancesca’s carpentry background yields beautifully crafted plywood panels, an aspect of the work that one must be careful not to neglect amidst the seductive appeal of the image. This impeccable workmanship complements the highly technical, computerized images.

“Furniture Music” refers to a term coined by French composer Erik Satie in 1917 to describe background or ambient music. DeFrancesca’s images vibrate and interact with the viewer, and it is easy to see how they are visual depictions of sound waves. Being that music is the art of time, and visual art is that of space, these objects can be conceived as time capsules locking and sealing a fleeting moment in visual form.

Although Sabrina Pittoello, assistant director of Newzones, says there is no connection to the neighbouring artist, Virginia Mak, she maintains the gallery tries to pair artists that complement one another in stimulating ways. When viewing Mak’s “Of One’s Own,” the polarities between the two artists couldn’t be more stark.

DeFrancesca employs vivid, intense colours, while Mak applies a more subdued, toned-down palette. Although both artists have adopted a blurring effect that make their final works disorienting, almost to the point of dizzying, DeFrancesca’s images, especially those consisting of concentric circles, appear to have crisp lines, while Mak seems to evade delineations altogether. The reference to painting is obvious in DeFrancesca’s works, which recall colour-field and minimalist paintings of the late 20th century; conversely, Mak’s works are figurative.

Mak’s portraits consist of women gazing through a window in pensive, meditative poses. The fact that the subjects are out of focus — a technique achieved by projecting her photographs onto rice paper — renders their identities obscure and mysterious, and focuses our attention on their state of mind rather than on particulars. The pronounced ambiguity of the subjects (there is one subject that could pass for a man or woman given the short hair and collar shirt) seems appropriate given that the activities these women are engaged in are introspective in nature and do not belong to the public realm.

Born in Hong Kong and currently residing in Toronto, Mak is a photographer. However, the technique she employs in these works gives them a texture more emblematic of painting, easily misleading anyone who does not venture to look up close. Mak’s mounting treatment is equally important as DeFrancesca’s with respect to the works’ final impact. Her decision to opt out of framing the large 120 centimetre-by-120 centimetre prints at the risk of making them more fragile and exposed to the elements, is an attempt to give an immediacy, again more reminiscent of painting, that would have been lost had they been placed behind glass. Her work thus has a push-pull quality, pushing the viewer closer through the omission of an added layer, while simultaneously pulling the viewer back through its foggy, elusive esthetic. All the while, they serve to challenge traditional notions of photography and in particular portraiture, known for its increased accessibility relative to other art forms.

Pushing boundaries and challenging the mainstream is not just about creating art that is shocking or abrasive in nature — sometimes all it takes is being willing to colour outside the lines. Whether you prefer art that is exuberant and loud like DeFrancesca’s or tranquil and self-reflective like Mak’s, we can appreciate artists who look beyond self-imposed limitations.

N - Daily Word Dose

Ok, I slacked off again, so here are 3 daily word doses in a row (I am skipping L and N for now). I only have 4 "O" words for now.

Obsequious - 1. Characterized by or showing servile complaisance or deference; fawning: He was so obsequious when the boss was present that his coworkers shunned him in disgrace.  2. Servilely compliant or deferential  3. Obedient; dutiful.

Onerous - 1. Burdensome, oppressive or troublesome; causing hardship: Some felt that the twelve tasks of Hercules were too onerous, even for him. 2. Having or involving obligations or responsibilities, esp. legal ones that outweigh the advantages.

Ostensible - 1. Outwardly appearing as such; pretended; professed: His ostensible cheerfulness concealed his sadness. 2. Apparent, evident or conspicuous.

Ostentatious- 1. Characterized by or given to pretentious or conspicuous show in an attempt to impress others: He was an ostentatious dresser. 2. Intended to attract notice: Bill Gates' ostentatious charity.

M - Daily Word Dose

I currently don't have any "L" words to learn, so I'll skip L for now and come back to it later.


Menial - 1. Lowly and sometimes degrading work: She has a menial, part-time cleaning job and only gets 50 cents more than minimum wage. 2. Servile, submissive: Menial attitudes. 3. Pertaining to or suitable for domestic servants; humble.

Minion - 1. A servile follower or subordinate of a person in power: The Minister always appeared surrounded by his minion. 2. A favored or highly regarded person  3. A minor official.

Misbegotten -1. Unlawfully or irregularly begotten; illegitimate: His misbegotten son.  2. Badly conceived, made or carried out: This is by far the most shamelessly, misbegotten legislation to pass into law.

Mirth - 1. Gaiety or jollity, especially when accompanied by laughter: With the holiday season approaching, he was unable to control his mirth.  2. Amusement or laughter: The joke that the teacher told left the whole class in mirth.

Myopic - 1. Pertaining to or having myopic (nearsighted) 2. Unable or unwilling to act prudently; shortsighted: Leaving her child alone while she went shopping was dangerously self-centered and myopic.  3. Lacking tolerance or understanding; narrow-minded: She is so myopic, she is not willing to try any cuisine other than French and Italian.

K - Daily Word Dose

I only have 2 "k" words right now, I'll come back to them later.
 
Killjoy - A person who spoils the joy or pleasure of others; spoilsport; party pooper

Kinship - 1. The state of fact of being of kin; family, relationship: You can sometimes feel a kinship to people you are not actually related to. 2. Related by nature, qualities, etc; affinity. The overworked assistant felt a kinship with the workers in the office mailroom.

Monday, 25 April 2011

Book Review - Do It Any-way: The New Generation of Activists

I recently read the book Do it Any-Way: The New Generation of Activists by the young author Courtney E. Martin. It is an easy read of 193 pages. I read it in a week, and trust me for an extremely slow reader like myself, that’s saying a lot.

I first saw it on the www.rabble.ca website when I was trying to get a good idea of what would be a good political book to read. My husband and I often talk hours on end about all the problems facing America (and by extension Canada and the rest of the world). Perhaps every generation egotistically thinks their obstacles are insurmountable and unprecedented in the history of time, but to me, it really does feel like our generation has tremendous burdens to cope with, not least of which is a planet in peril:

  1. For starters we are less financially independent than our parents were at our age – many of us live at home well into our 30’s. 
  2. The boomers are called the “sandwich generation” because they are simultaneously taking care of their children and their aging parents due to cuts in retirement programs, and as the retirement age and cuts continue to increase, there’s no reason to believe this will solve itself in the near future.
  3.  Many of us are graduating with fewer job prospects and are forced to settle for jobs that under utilize our education and underpaid us; meanwhile the saturation in education is forcing us to surpass previously expected credentials forcing us to get endless degrees and work in unpaid internships, putting us deeper into debt and further from financial freedom.
The following is a list of things that are affecting us less directly, but are nonetheless threatening our quality of life. I’m speaking of the US here specifically, but as we all know policies in the US affect the rest of us, especially Canada considering we have a puppet Prime Minister in office (oops, did I just say that?). The following points were taken from a book called Dismantling the Empire: America’s Last Best Hope by Chalmers Johnson, which I’m currently reading.
  1. The US spends insane amounts of money on “defense” projects that bear no relationship to the national security of the US.
  2.  Income tax burdens on the richest segments of the American population are kept at strikingly low levels.
  3. The US has enabled the erosion of their manufacturing base and loss of jobs to foreign countries.
  4. Because of the massive military expenditures, the US has failed to invest in social infrastructure – the money for universal health care and other social programs is there, it is just being spent in the wrong places.
  5. The public education in the country has deteriorated.
  6. The US (and Canada as one of its greatest allies) has neglected their responsibility in being the world’s number one polluter.
So that about sums up everything that will directly or indirectly affect us within our lifetime. Oh and not to mention our heavy dependence on a non-renewable resource, the eruption of wars and numerous uprisings on the other side of the globe, and the pervasive natural disasters due to global warming. Still with me? Have I scared you yet? I mean seriously, where do you being? Ini-mini-mani mo, I will take on this monster if you take that one? 

In addition to wanting to release a big sigh by now, you will also probably want to ask yourself: “Why aren’t more people in outrage? Why aren’t we protesting and starting rebellions when we see wealthy bank investors bailed out, like the people in London or elsewhere in Europe do at the first sight of government spending cuts?” I mean, sure there are sporadic instances of protests here and there (recall the recent protests regarding unions in Wisconsin that did gain considerable momentum), but why aren’t they more widespread? Why aren’t we more united?”

The thing that appealed to me about this book was that the author begs to differ with the well established notion that our generation simply doesn’t care. That we are too self-absorbed and caught up in our latest technological gadgets and distracted by consumerism and celebrity gossip to stop to consider what we can do.

“I think they’ve got it wrong,” she says, “We are not, on the whole, entitled, self-absorbed, and apathetic. We’re overwhelmed, empathic, and paralyzed.”

In other words, the book’s appeal to me was that somewhere, someone out there thought that our generation was not doomed, that there is light at the end of the tunnel. If anything good came out of the recent uprising in the Middle East, it is that a tool like social media can be used for things other than bragging to our peers about our latest vacation – that it is a democratizing tool that has the capacity to mobilize people into action.

But if you’re looking for some sort of solution, the book will prove to be a disappointment, for it doesn’t attempt to do that. Rather it is a collection of stories about 8 young activists who are out there, on the front lines every day, attempting to make their mark in the world, however insignificant it may seem.  Their missions vary from attempting to instill world piece, to fighting the education system to environmental justice and many more worthy causes. Most importantly, they do not allow minor setbacks to discourage them back into despair and inaction. 

It provides an honest account that activism and does not attempt to glamorize or sugar-coat the realities that is not just about the warm and fuzzy feelings one gets at the end of the day; but rather it is a path of constant struggle, testing your resilience on a daily basis. Whether you are a philanthropist, a full-time employee at a nonprofit organization, or working as a public servant, there is no way of knowing whether what you are doing is really the most efficient, more viable, more direct way to make a difference. It is this doubt and the reality that your work is never finished in the way that say a corporate project might finish, that prevents many people from getting into that line of work in the first place, but it is also this doubt that drives those who are committed and allow them to continuously question themselves and change their tactics accordingly.

The thing I took away from the book in light of these eight very different yet inspirational accounts of the aforementioned is that if we want to make a difference in this world, we first have to align ourselves and our energies appropriately. You can be the most intelligent person on earth, but if you are fighting for a cause you feel zero connection to, it won’t matter. The book illustrates this with one particular character who started working as a social worker, a very selfless and worthy career path by anyone's account, but finds herslef absolutely miserable, and therefore her efforts to help others are futile. Through a series of serendipitous events, she discovers that her true calling is filmmaking and when she succumbs herself to following that path, she realizes her ability to help others is much more effective. Not only is she able help more people through her brutally honest documentaries about social issues than she did as a social worker, she  gained notoriety and recognition among her peers in doing so, a not so easy feat in an industry that is heavily male dominated. It is my assertion that her success is owed to the fact that her talents/interests/skills (filmmaking) became perfectly aligned with her passion to help others.

The moral of the story is: if you are lucky enough to find this alignment in your lifetime, go for it, without giving it a second thought, the financials (if that’s what you’re worried about) will solve themselves.

But getting back to the book – it is definitely worth the short amount of time it takes to read. If anything it will reinvigorate you into thinking about the possibilities. There is a great quote in the book that quotes another book, Let Your Life Speak by Parker Palmer:  “We are whiplashed between an arrogant overestimation of ourselves and a servile underestimation of ourselves..." that I think nicely captures our generation's conundrum.

I - Daily Word Dose

Imperil -To put in peril or in danger; endanger: Censorship imperils our freedom of expression.

Impudent  - Of, pertaining to impertinence (unmannerly intrusion or presumption; insolence); effrontery: For once his impudence paid off, as the officers were reluctant to arrest a friend of the mayor.

Indelible - 1. Making marks that cannot be erased, removed or the like: Indelible ink. 2. That cannot be eliminated, forgotten or changed: My fifth grade teacher had an indelible influence on me.

Insatiable - 1. Not satiable; incapable of being satisfied or appeased: She had an insatiable hunger for knowledge.

Inordinate - 1. Not within proper or reasonable limits; immoderate; excessive: He drank an inordinate amount of wine.

Art Gallery of Alberta

I was doing some research on AGA today and found this really good blog with some thoughtful criticism of the building.

http://inthreedimensions.blogspot.com/2010/02/art-gallery-of-alberta.html

Sunday, 24 April 2011

Art Review by a FFWD Collegaue

This has to be one of the most solid reviews I have read in FFWD to date. It flows so well and concludes nicely, which I find is often the hardest part.

http://www.ffwdweekly.com/article/arts/visual-arts/snapshots-of-the-soul-7321/

Nancy Tousley, Art Critic

http://communities.canada.com/calgaryherald/blogs/impressions/default.aspx

I aspire to one day write art reviews this good!
This particular one shows the power of ending with a really good quote.

H - Daily Word Dose

Since I missed a few days, I'm doing 3 sets of words today:

I currently don't have any G words that I want to learn, so I will skip it and go to H.

Havoc - 1. Great destruction or devastation; ruinous damage: The tragic events of September 11th wreaked havoc on the people of New York City. 2. Disorder or chaos: They had a wild party that created havoc in the house, Stress and long hours can cause havoc on your health, Idioms: cry havoc, to warn of danger or disaster; play havoc with, to create confusion or disorder in.

Heady - 1. Intoxicating: A heady wine. 2. Affecting the mind or senses greatly:  A heady perfume. 3. Exhilarating; Exciting  4. Rashly impetuous: heady conduct  5. Violent, destructive: heady winds.  6. Clever; shrewd: He employed a heady scheme to win the election.

Heed - 1. To give careful attention to: He did not heed the warning. 2. To take notice, observation.

Heist - 1. A robbery or holdup: Four were involved in the armored car heist. 2. To take unlawfully, esp. in a robbery or holdup; steal: There seems to be a bit of a trend for large jewelry heists lately.

Heyday - The stage or period of greatest vigor, strength, success, etc; prime: Even prior to its Victorian heyday, Dundee was a town of considerable importance.

F- Daily Word Dose

I could only think of 4 words for "F," when I find a fifth, I will add to this.

Feeble - 1. Physically weak as from age or illness; frail  2. Weak intellectually or morally: A feeble mind. 3. Lacking in volume, loudness, brightness, distinctness, etc: A feeble voice, a feeble light. 4. Lacking in force, strength or effectiveness: Feeble resistance, feeble arguments. 

Feign - 1. To represent fictitiously; put an appearance of: She feigned illness to skip school. 2. To invent fictitiously or deceptively, as a story or an excuse 3. To imitate deceptively: To feign someone's voice.

Flagrant - 1. Shockingly noticeable or evident; obvious; glaring: Bush flagrantly lied to the American public. 2. Notorious; scandalous: A flagrant crime, a flagrant offender.

Fraudulent - 1. Characterized by, involving or proceeding from fraud, as actions, enterprise, methods, or gains: He performed a fraudulent scheme to evade taxes. 2. Given to or using fraud, as a person cheating; dishonest.

E - Daily Word Dose

Egregious - Extraordinary in some bad way; glaring; flagrant: It was an egregious mistake to wear jeans to the formal wedding.

Emblazon- 1. To depict, as in a escutcheon in heraldry 2. To decorate with brilliant colours: His emblazoned T-shirt got a mixed reaction.  3. To proclaim, celebrate or extol.

Entrench - 1. To place in a position of strength, establish firmly or solidly: There was entrenched religious division in the Province. 2. To build trenches for defensive purposes around oneself, a military position, etc.

Ethos - 1. The fundamental character or spirit of a culture; the underlying sentiment that forms the beliefs, customs or practices of a group or society; dominant assumptions of a people or period: In the Greek Ethos, the individual was highly valued. 2. The character or disposition of a community, group, person, etc: For creativity to flourish, it needs to be build into the whole-school ethos. 3. The moral element in dramatic literature that determines a character's action rather than his or her thought or emotion.

Extol - To praise highly, laud; eulogize: During an election year, we should all extol the virtue of honesty.

Saturday, 23 April 2011

D - Word Dose

Decry - 1. To speak disparagingly of; denounce as faulty or worthless; express censure of: She decried the lack of support for the arts in the country. 2. To condemn or depreciate or condemn by proclamation.

Denigrate - 1. to speak damagingly of; criticize in a derogatory manner; sully defame: Donald Trump denigrated Obama's health care policies. 2. To treat or represent as lacking in value or importance; belittle; disparage: To denigrate someone's contributions to a project.

Destitute - 1. Without means of supporting life; lacking food, clothing and shelter: She was left destitute after the death of her husband. 2. Deprived of; devoid of; or lacking.

Dissent - 1. To differ in sentiment or opinion, esp. from the majority; withhold assent; disagree. In the Republican party, there has been a lot of dissent, most notably from Tea Party members. 2. To disagree with the methods, goals, etc. of a political party or government; take an opposing view. 3. To disagree or reject the doctrines or authority of an established church.

Divest - 1. To strip of clothing or ornament: The wind divested the trees from their leaves. 2. To strip or deprive (someone or something), esp. of property, rights or authority; dispossess: Millions of Americans were divested of home ownership because of the financial collapse in wall street.

Thursday, 21 April 2011

Wednesday, 20 April 2011

My Most Recent Art Review

More than Meets the Eye: Conceptual Works Make People Look Twice
Published April 14, 2011
Trepanier Baer -- The Durable Idiom: Eric Cameron, Christian Eckart and Stephane La Rue
http://www.ffwdweekly.com/article/arts/visual-arts/more-than-meets-the-eye-7286/




They say good things come to those who wait. If you extend that logic to art, take your time viewing the conceptual works currently at TrépanierBaer and you will be rewarded.
The Durable Idiom features works by Eric Cameron, Christian Eckart and Stéphane La Rue. Inextricably bound by their interest in existentialism, a willingness to let the material take the spotlight and a relentless aim to blur the boundaries between image and object, their works straddle a fine line between painting and sculpture.

Upon entering the gallery, the first observation is Cameron’s beautifully suspended, colourful array of latex-covered Remembrance Day poppies. One is immediately struck by the contradiction of this whimsical piece and its sinister title, “Thenatos,” which in Greek Mythology is the personification of death. For those unfamiliar with Cameron’s work, the piece might be interpreted as a commentary on war — perhaps the poppies are a symbol of the soldiers overseas — and by extension a reflection on the current political turmoil. This hypothesis, however logical, would be incorrect. In his own words, Cameron asserts his work has never been about external reconciliation, but rather a meditative view on “human frailty, desire and dread and the transience of life.”

A self-proclaimed obsessive personality, Cameron is best known for his Thick Painting series, which he persisted with for three decades. The series involved taking mundane household objects and systematically brushing them with layers upon layers of gesso, keeping detailed documentation each time he added a new layer. Although his works are as complex as the layers bestowed upon them, if you were forced to define them in a nutshell, they are about relinquishing control to the forces of nature.

“Nature has much more creative potential than my imagination. Nature can produce a range of forms, colours and patterns much more interesting than I could possibly contrive myself,” he says.

In the case of his Thick Paintings, it was the chemical process of drying gesso and the mechanical process of brushing the paint that ultimately determined the final shape. His new series keeps to that tradition, but rather than brushing the objects with gesso, he has dipped them in layers of paint. Unlike his previous series, he has let go of the strenuous record keeping.

“There was an aspect of trying to free myself from the arduousness of that.”

Equally uninterested in expression, Christian Eckart employs a rigorously impersonal approach. The most seductive of the three artists, he uses contemporary industrial materials such as Plexiglas, Formica and industrial paint to create pristine finishes (the paint process was developed by Rolls Royce and is based on Chinese lacquer ware techniques).
Eckart’s multiple series all have one thing in common — they are hypnotic in their immaculate craftsmanship. Exhibiting no signs of the artist’s “hand” at work, they in fact have an almost factory-like, mass-produced flawlessness to them. Unlike Cameron, he seems to be in control of his works from start to finish, but similar to Cameron, he does not start with an idea at the epicentre. In fact, he is at once fascinated and troubled by the inherent problems in representing abstract ideas like beauty, calm, sensuality and simplicity in a visual form. Rather than attempting to represent what he deems ineffable, he produces works that embody these characteristics. Eckart’s ability to transform an industrial material into a slick and beautifully finished product challenges our arbitrary definitions of beauty.

The lack of interest in painting an image without representation also extends to Montreal artist Stéphane La Rue, who similarly to Cameron and Eckart, is preoccupied with making space in his paintings and bringing the material to the forefront. In fact, this is not the first time his work has been exhibited alongside Cameron’s, although the first time it was more because of their mutual interest in white — Cameron’s use of white through gesso, and La Rue through his monochrome paintings, one of which is featured in this show.

Conceptual art is not for everybody and certainly not for those who enjoy art that reveals itself instantaneously,. But for those who are up to the challenge, there’s a lot to be gained from thought-provoking artists like those in the The Durable Idiom.

C - Daily Word Dose

Capitulate - 1. To surrender unconditionally or on stipulated terms. 2. To give up resistance: He finally capitulated to do things my way.

Caprice - 1. Subject to unpredictable change, as of one's mind or the weather. 2. A tendency to change one's mind without apparent or adequate motive; impulsive. Fashion is subject to irregularity and caprices; He is such a capricious boss, I never know how he'll react.

Caveat - 1. A warning or caution; admonition: They sold the cabin with the caveat that the roof would need repairs before winter. 2. A legal notice to a court or public officer to suspend a certain proceeding until the notifier is given a hearing.

Clout - 1. A blow, esp. with the hand: The bully gave him a painful clout on the head. 2. Pull, strong influence, muscle, esp. political power: A wealthy campaign contributor with great clout at City Hall.

Coerce - 1. To compel by force, intimidation or authority, esp. without regard for individual desire or volition: They coerced him into signing the document. 2. To bring about through the use of force or other forms of compulsion: To coerce obedience. 3. To dominate or control, esp. by exploiting fear, anxiety: The State is based on successfully coercing the individual.

Other Published Articles

Book Review:
Rethinking Our Stance on Billionaires: Linda McQuaig Argues Against Extreme Inequality
Published in FFWD Weekly on October 21, 2010
http://www.ffwdweekly.com/article/arts/books/rethinking-our-stance-on-billionaires-6480/








Comedy:
The Success Gene: A Look at the Wayans Through Shawn and Marlon
Published in FFWD Weekly November 4, 2010
http://www.ffwdweekly.com/article/arts/comedy/the-success-gene-6558/









Urban Living:

This V-Day Step Outside the Heart-Shaped-Box: Dinner, Roses, How About Something Different
Published in FFWD Weekly February 10, 2011
http://www.ffwdweekly.com/article/life-style/urban-living/this-v-day-step-outside-the-heart-shaped-box-6997/

Past Art Reviews Featured in FFWD Weekly



A Place of Word-Ship: Logotopia Celebrates the Library in a Bastion of Visual Arts
Published September 9, 2010 
Triangle Gallery of Visual Arts Exhibition -- Logotopia: The Library in Architecture, Art and the Imagination
http://www.ffwdweekly.com/article/arts/visual-arts/a-place-of-word-ship-6256/




 A Tale of Two Cities: Los Angeles and Calgary Artists Bring Abstract Art Down to Earth
Published September 23, 2010
Art Gallery of Calgary -- Soft Core HARD EDGE
http://www.ffwdweekly.com/article/arts/visual-arts/a-tale-of-two-cities-6325/ 





Frozen Music, Liquid Art: Rhapsody in Colour Explores the Connection Between Art and Sound
Published December 9, 2010
Triangle Gallery of Visual Arts -- Centennial Celebrations of Abstract Art
http://www.ffwdweekly.com/article/arts/visual-arts/frozen-music-liquid-art-6729/








Brushing up on Canadian History: A Glimpse of Quebec Art in the 50's
Published February 10, 2011
Triangle Gallery of Visual Arts -- Quiet Mutinies: Art in Quebec in the 1950's
http://www.ffwdweekly.com/article/arts/visual-arts/brushing-up-on-canadian-history-7017/

A Cultural Mosaic: Celebrating Canadian Immigrant Artists Through Creativity
Published March 31, 2011
http://www.ffwdweekly.com/article/arts/visual-arts/a-cultural-mosaic-of-art-7218/













Tuesday, 19 April 2011

B - Daily Word Dose

Barring - Excepting; Except for: Barring losing the $40, I had a good time at the Casino.

Bemoan - 1. To express distress or grief over, lament: The farmer bemoaned his loss. 2. To regard with regret or disapproval: The teacher bemoaned that David cheated on his test.

Benign - 1. Having a kind disposition; gracious. 2. Showing or expressive of gentleness or kindness: A benign smile. 3. Favorable; propitious: A series of benign omens. 4. non-malignant; self-limiting.

Brazen - 1. Shameless or impudent: Sarah brazenly screamed at her boss. 2. made of brass 3. like brass as in sound, colour or strength.


Bulwark - 1. A wall of earth or other material built for defense, rampart. The great wall of China was built as a bulwark against the Mongolians. 2. Any person or thing giving strong support or encouragement: My best friend was my bulwark during those tough times.

Monday, 18 April 2011

A - Daily Word Dose

As part of my goal to become a self-taught journalist, I will be posting 5 words per day that I would like to incorporate into my vocabulary. This means that in a year I should know nearly 2,000 more words than I do now. I will work my way down the alphabet from A-Z.

Today's words:

  • Aberration: 1. The act of departing from the right, normal or usual course. 2. The act of deviating from the ordinary, usual or normal type: Her willingness to speak out in front of the class marked an aberration from her quiet and introverted ways. 3. Mental irregularity or disorder, esp. of a minor or temporary nature; lapse from a sound mental state.
  • Amiss: 1. Out of the right, proper course, order or condition; improperly, wrongly, astray: Did I speak amiss? 2. Improper, wrong, faulty: I think something is amiss in your calculations. 3. Take amiss, to be offended at or resentful (something not meant to cause offense or resentment); misunderstanding: I was afraid my point of view would be taken amiss.
  • Aggregate: 1. Formed by the conjunction or collection of particulars into a whole mass or sum; total; combined. 2. To bring together; collect into one sum, mass or body. 3. to amount to: The guns captured will aggregate five or six hundred.
  • Avarice: Insatiable greed for riches, inordinate, miserly desire to gain and hoard wealth:  I was the only one who knew that her avarice was a symptom of her pathological fear of being poor.

  • Adulate: 1. To show excessive admiration or devotion to; flatter or admire servilely: In Junior High and High School, Marcella adulated the Rock Star Chris Cornell.

Sunday, 17 April 2011

Contemplating A Career in Journalism

As was indicated in the previous entry, I'm seeking a career that will give me that intangible feeling of satisfaction. Ever since obtaining my freelance gig at FFWD magazine, I've been contemplating a career in journalism. Part of me wants to pursue a journalism degree after my husband graduates from his Master's program in two years. But as he reminded me, I don't need another degree. At this stage, it would only serve to give me the superficial confidence of being able to point to a piece of paper to say to the world, "hey, I can do this job.". But if I can find it within myself to have this confidence, I can save myself a lot of money and time. There's no doubt that it would be nice to learn how to properly structure an article, and have proper interview skills training among the other valuable things that such a degree would train me in, but I think these are all things I could easily teach myself and that would come naturally with experience. Of course, I would never look down on anyone for getting a degree, but in my case it would be the easy way out. By that I mean that school is a sheltered environment, and at some point if you're just spending your time getting one degree after another, it starts to become an excellent excuse to not be doing something of value to society. And then of course, there's the question that if I do take a degree in journalism, is that going to be the end of it, or will I decide in those 2 years, that it is not for me as well? I do not want to become trapped in that cycle. I have learned that in this world, there are two kinds of people: those who talk a lot and those who do, and I want to start becoming the latter.

While your 20's might be a good time to live out your dreams and desires selfishly, your 30's, especially if you are like me and want to start a family should be at least somewhat marked by stability. That's not to say that the career I choose today is set in stone for the rest of my life, but at some point I have to start thinking about others and not just my own self-fulfillment.

So if I'm not going to go to school for it, how am I prepared to pursue this avenue? Well, I know for a fact that I like writing and that I'm pretty good at it. So that right there is half the battle. I still have a long way to go when it comes to becoming excellent at it, but I have been told by many over the course of my education that this is a skill I possess and should do something with. I have always excelled at papers in University, and while I tend to be a slow writer, I didn't find them to be a chore like others did.

Journalism seems like a good avenue for me because while it would allow me the opportunity to utilize this skill/talent, it would present me with many challenges and opportunities to grow which are key ingredients for avoiding boredom, a benefit that cannot be overstated given my attention deficit tendencies. From the research I have done, it seems to possess all that I value in a prospective career: it is dynamic, demands working in a high-pressure, deadline driven environment (a work style which seems to suit me well), and it would enable me to voice my opinion on a mass scale. The latter brings with it a tremendous responsibility and honor in that it has the potential to affect people's lives, hopefully for the better.

To become a self-taught journalist, I will have to work that much harder. It will require tenacity and persistence, and this blog will be one vehicle towards making this happen. I will post any progress towards this realization, and just as importantly any setbacks that may occur along the way. The reason for doing this in public rather than in a private journal is that it will force me to have some accountability. Additionally, writing ones goals, and having a central place where you can refer to your progress will be a powerful tool to reflect and to alter my goals accordingly.

Below are my explicit goals relative to this blog:

1) Daily Word Dose -- I would like to post 5 words per day that I would like to incorporate into my vocabulary. This means that in one year, I should have added nearly 2,000 words to my vocabulary. I will work my way down from A-Z.

2) Read A Book A Month and Write a Review of it -- I am a slow reader, so I think that one book a month is realistic for me. I plan to write a review of the books I read as way to capture what I took away from the book, as well as to practice writing reviews.

3) Continue to Write Articles for FFWD --  Continue proposing ideas to FFWD and writing not only art reviews, but also venturing into other topics of interest, and stepping outside of my comfort zone.

4) Spend 45 minutes to 1 hours a Day Reading the News and Once a Week Post Links to Articles I Enjoyed Reading -- One thing I'm currently not very good at is reading news on a daily basis. This is absolutely essential for me to do as someone who wants to one day be writing them, and particularly as someone who is not planning to go to school, it is important for me to learn from those who have had proper training. I will compile a list of articles I really enjoyed or that were inspirational in some way, or were just technically good articles at the end of the week.

5) Make My blog Public -- As terrifying as it may be to air your dirty laundry to the public and have it be open to scrutiny, I must be willing to put my vulnerabilities out there to the world if I want to be a journalist. This is a profession that requires thick skin in the sense that there will always be someone out there who bashes what you write and I might as well get used to it now.

Saturday, 16 April 2011

The Pursuit of Happyness and the Purpose of This Blog

In trying to convey to my readers the purpose of this blog, I somehow was distracted and thought about the movie, The Pursuit of Happyness, and in particular the part in which Will Smith reflects upon the Declaration of Independence's influential words: "Life, liberty and Pursuit of Happiness." Will Smith's character poignantly asks, "how did Thomas Jefferson know to put the 'pursuit' part in there?"

This blog is meant to document my journey towards what I suspect is not reachable as Thomas Jefferson seemed to already grasp quite well. I am 29 years old and while I may be satisfied in some areas of my life (I recently got married to a wonderful man and I am blessed with great friends and family), I am eagerly seeking that missing part of my life: a career that makes me feel warm and fuzzy at the end of the day. As trite as it may sound I, like most human beings, just want to get that feeling of satisfaction that my skills, talents and efforts are making this world a little bit better off than how I found it.

Through my graduate studies thesis, in which my colleague and I planned a silent auction at our school called "Art of Giving" in which proceeds were donated towards a nonprofit organization working to provide clean water in Haiti, I had a short-lived taste of activism and the satisfaction of having a vision and seeing it through. Since then, I have been looking to replicate this feeling on an ongoing basis, and while I'm happy working for a non-profit Art Gallery in Calgary, I feel deeply conflicted. I am, and always will be an arts advocate, believing wholeheartedly in its transcendental power for those who practice it as well as those who view it, but I cannot help but notice the more pressing issues currently facing our generation, and in comparison art begins to feel frivolous and I hate to say it, self-indulgent. As someone who has spent the last 8 years or so educating myself to acquire a career in the arts, this tension is a source of great anxiety. I suppose this is why "Art of Giving" was so satisfactory, because it allowed me to reconcile these two interests of mine by using something I love (art) as a vehicle to bring about something I feel passionate about (helping others).

I don't know what's in store for me, but through this blog I hope to reflect upon my triumphs, my challenges, and equally important, my failures. I would like this to be a place of candor where I can feel free to say what is on my mind at the moment at the risk of sounding foolish and leaving myself vulnerable to judgment. This minimal editing and self-censoring will at times generate not so perfectly crafted entries, so please don't judge me for that. My entries will undoubtedly seem self-serving at times, but I hope that my frankness in saying things as I see them will resonate with others and perhaps help them to see that these struggles are not unique to me or to them ,but just part of the human experience.